3 Reasons Why @JamesDRobinson Should Still Write @DCComics #Earth2

DC Comics has made some stupid decisions this year, just from the top down, and I thought none could get dumber than firing Gail Simone who was then rehired as the writer for Batgirl. Welp, I was dead wrong.

 

I was looking on my Twitter timeline on the bus on the way home from work when I saw a couple of strange tweets from one of my favorite comic writer, okay, he’s my second favorite behind Simone, James D. Robinson of Earth 2. After Batgirl, the other comic I became absorbed in and made a habit of buying and catching up with is the alternate world of Earth 2. The writing was fantastic, the artwork enjoyable. It was just good stuff. Robinson announced via twitter that he was walking away from Earth 2 after issue 16 in October. In recent weeks, I had been rather excited, because Earth 2 Batman was schedule to debut and there was also the announcement that there were going to be more comics set on Earth 2.

Rather than speculate on what happened, I would like to offer reasons why Robinson should #1, be on Earth 2 the book, and #2, be given more creative freedom to expand his story-world.

1. Dystopian fiction can be hit or miss, especially when it comes to comic book fans. Robinson hits all of the right keys on science fiction themes. Dystopian fiction are rather popular these days, with the Suzanne Collins’ Hunger Games trilogy and Veronica Roth’s Divergent series. There have been few and far between comic books that have caught my attention over the years that had well written, believeable pictures of tragic futures, including Spiderman 2099 and Joss Whedon’s Fray: You can see my two reviews of that work here and here. From what I hear Saga is pretty good (I plan on getting into it), and Earth 2 finds its place at the top with these futuristic-oriented works.

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2. Diversity has been a major problem for both Marvel and DC Comics. Earth 2′s cast, the growing Justice Society of an alternative universe was pretty multicultural, and the characters were all complex. Robinson’s Alan Scott is an anti-Tony Stark, a businessman who practices will-power. Kendra Munoz-Saunders/ Earth 2 Hawkgirl was the reason I started reading Earth 2 in the first place, and after enmeshing myself in Earth 2 issue #4, I haven’t looked back. She is the one who initially reaches out to Jay Garrick (Earth 2 Flash) and Alan Scott/Earth 2 Green Lantern to start a team. The characters are not some version of hegemony; there is real conflict in their approaches, and that is really what diversity is about, difference and community, not the silencing of that plurality. The addition of Mister Terrific was also a plus IMO.

3. Lastly, Earth 2 brought a sense of the history to the chaotic waters that is the DC New 52. From Alan Scott to the Sandmen to Mister Miracle to Terry Sloane (the original Mister Terrific now turned “evil” ruler of Earth 2), James Robinson was able to bring back characters from DC’s past to make them relevant again. He has certainly piqued my interest in me wanting to read past comics and trades where these characters were originally written prior to the new 52. If DC Comics knew what was best for them, they would keep Robinson, give him more creative license to add to the Earth 2 story, and start making more TPB’s available so they can make a profit; I mean, isn’t that something they would want to do?

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RodtRDH

Rod the Rogue Demon Hunter, Preacher of Hope | Black Scholar of Patristics | Writer for Nonviolent Politics. Destroyer of Trolls. It must be that angry puppy.

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A Summer of Environmental Ethics & Justice! : A guest post by Harry

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“Harry Samuels is a student at UNC Asheville majoring in Environmental Management & Policy. He’s also very much obsessed with this Jesus guy – his politics, religious sensibilities, and the implications his teachings have for existential reality. Having been born in sunny Charleston , SC and raised in verdant Richmond, VA, he has spent his life in the American South- where many less-than-flattering portrayals and ideas of Jesus seem to prevail. Still, though, he has managed to “hold on to what is good” and seeks to explore , find, and maximize the intersection that lies between following Christ, sustainability of this gem of a planet, and environmental ethics.”

This summer, I am hoping to explore and critically engage in the discussion of the implications that Christian theology/ethics have for interaction with/reconciliation of the natural, physical environment! There are a number of texts that I am hoping to help as I explore this traditionally elusive intersection. I have not quite finalized everything but some of the texts will include:

Aquaman (New 52) by Geoff Johns

African American Environmental Thought by Kimberly K. Smith

The Ecology of Commerce by Paul Hawken

Consider this a light itinerary of the direction I intend for this discussion to head this summer! The topics may seem random and some of my posts won’t engage any texts, but just be me thinking “aloud” (over the interwebs!) on the issue of environmental justice. Perhaps the topics will mainly follow the storyline of the Aquaman series as I am able to relate it to the themes at hand. I’m excited to see where this goes! Feel free to suggest things!

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The Political Jesus Collective

Guests posts by friends of Political Jesus ---OR---- Group Announcement from the Bloggers of PJ

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Happy Free Comic Day #FCBD on May The Fourth #StarWars

From all of us blerds and geeks at PJ:

OH AND DEFINITELY VISIT YOUR LOCAL COMIC BOOK STORE OR BARNES AND NOBLE:

How will I celebrate this day?

Oh, I dunno, perhaps go to see this?!?

THE movie I’ve been wanting to see all year!

RodtRDH

Rod the Rogue Demon Hunter, Preacher of Hope | Black Scholar of Patristics | Writer for Nonviolent Politics. Destroyer of Trolls. It must be that angry puppy.

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@PBS ‘s #WonderWomen: White Feminist Superheroines And Invisible Women Of Color

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“This post has been cross-posted from my Blerd Theologian Tumblr

Tonight, I watched PBS’s Independent Lens’ episode entitled, Wonder Women: The Untold Story of American Superheroines. To be honest, this documentary played out unfortunately like a piece of white feminist triumphalism, when it really did not have to. My favorite comic writer Gail Simone said at the conclusion of that Wonder Woman was a feminist symbol of hope and inclusion. The vision for the future promoted by this text, however, was one of racial exclusion and classist & ableist propaganda. Wonder Women was not a documentary geared towards ALL American women, but specific white American women with middle & upper class privilege.

Let’s go through the U.S. American history lesson we were given, shall we? Wonder Woman was the comic book version of Rosie the Riveter during World War II, and afterwards, her and Lois Lane were depicted as less ambitious. So basically, white women were told to take care of homes! Okay, but this WAS NOT THE EXPERIENCE OF ALL WOMEN! No, this documentary spoke to the white side of segregationist economics and white women’s experience, but when it comes to blacks, perhaps those women who were HAD NO CHOICE but to work (because choice is a luxury, based on class, don’t forget that), Wonder Women could not address this issue.

Moving on, let’s read about the Women superheroes who inspired the women’s rights movement in the 60s and 70s. Big surprise: All white, all without disability, and with class privilege. Yeah, a picture of Storm from Marvel’s X-Men was put up as a token. Yeah, they talked about Nubia as “Wonder Woman’s sistah counterpart” but that was false. Any google search will show you that Nubia was a villain, and has since the 70s, fallen off the face of the DC universe. What an inspiration!

Wonder Woman. Buffy the Vampire Slayer. Xena the Warrior Princess. All able-bodied. All white women written by white men. At the conclusion of Wonder Women,the documentary shameless did a highlight reel of famous American women, and showcased WOC such as Supreme Court Justice Sotomayor, Rosa Parks, and others. It’s funny that this played out sort of like Season 7 of white feminist legend Buffy, where the show all of a sudden becomes more culturally diverse, as if the first six seasons & it’s First World Western feminist vision didn’t happen!

In Buffy, a number of POC scholars have taken issue with portrayals of racial minorities in the BuffyVerse, and DC Comics (as much as I’m a New 52 fanboy), continues to have more problems than Marvel (but atleast DC doesnt have the Doctor Voodoo problem– you can look that up). Works of fantasy, myths are always social and political. Pop cultural exclusion leads to perpetual political exclusion, and that’s what we continue to see, esp when it comes to voting rights, access to public education, and the prison-industrial complex.

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RodtRDH

Rod the Rogue Demon Hunter, Preacher of Hope | Black Scholar of Patristics | Writer for Nonviolent Politics. Destroyer of Trolls. It must be that angry puppy.

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Not A Typo: Worlds’ Finest

Saturday I received a Facebook message with a concern about our blog’s banner the says: Worlds’ Finest Theology Blog. Was it a typo? I had to giggle to mahself but I realized not everyone would get it, so here goes. Worlds’ Finest is a reference to the Huntress & Power Girl comic. On Earth 2, an alternative universe, they were originally the Robin & Supergirl, but landed on Earth One.

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Seth and I chose to keep “Worlds’ Finest” because PJ seeks to discuss alternative viewpoints (worlds) and possibilities in Christianity, pop culture, and politics

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RodtRDH

Rod the Rogue Demon Hunter, Preacher of Hope | Black Scholar of Patristics | Writer for Nonviolent Politics. Destroyer of Trolls. It must be that angry puppy.

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