Star Trek: Where No Man Has Gone Before

LITERALLY PUTTING THE MAN IN “NO MAN HAS GONE BEFORE”

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The very first episode of  Star Trek: TOS to air was Where No Man Has Gone Before.
Like the unaired pilot before it, The Cage, Where No Man Has Gone Before, was driven by questions of gender and epistemology (how do human know things? Is it experience? Is it reason/logic?). Unfortunately, the approach to the sexes in this episode is very much watered down, compared to “The Cage” but sorta makes up for it with an opening scene that has a positive portrayal of Black men (though they don’t have any lines really). Hey, it’s better than most shows today, so, off to a good start diversity wise for TOS. What troubles me the most about this episode is the depiction of Dr. Elizabeth Dehner, who’s a doctor only in that she like a psychiatrist, talking to patients about their problems (reminiscent of TNG‘s Deanna Troi). Dehner is a strongish female character that gets turned into the goddess damsel in distress. When an accident transforms Captain James T. Kirk‘s friend, Lt. Commander Gary Mitchell into a telepath endowed also with telekinesis and superior strength, trouble ensues on the Enterprise as Mitchell wishes to eradicate all humans starting with his own crewmates.

Mitchell is placed into the science fiction trope of an evolved human who sees himself as divine. Mitchell argues that the world cannot exist with two races living side by side, so the weaker humans have to be eliminated. Mitchell’s dream of domination is explained while he is having lunch with Dr. Dehner, with the meal being an apple from a different planet. Roddenberry sticks to ripping off Genesis again (Adam and Eve in The Cage), and now a man and woman eating of the fruits, claiming of divine power. Mitchell and, for a while, Dehner, obsess over how self-important and glorious they are over and against homo sapiens. Kirk, who had argued with Spock earlier over a game of chess about the importance of emotion, contends that “every god needs compassion.” Mitchell the new god is defeated by force and human ingenuity because Kirk has very little choice. At the conclusion, Spock admits to learning emotion, and then Kirk responds, “there is hope for you yet.”

Within this episode, one can see a clear battle of ideas: who will the man of the future be? The MAN of Passion or the MAN OF Rationality? What about ways of being and knowing in the world that include a concept of community and the presence of the Other, specifically women? The division of logic and emotion is not the simple, the mind cannot be severed from the body, and vice versa. Or what about religious epistemologies, say, Christianity, that affirm the presence of the Spirit in the everyday lives of believers, many of whom are renowned thinkers? With these ideas in mind, I think it’s fair to say that Star Trek while being intended to be progressive on gender issues, takes a step back, returning to Where Many Men Have Gone Before.

 

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RodtRDH

Rod the Rogue Demon Hunter, Preacher of Hope | Black Scholar of Patristics | Writer for Nonviolent Politics. Destroyer of Trolls. It must be that angry puppy.

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Star Trek: The Cage

Star Trek TOS logo

Star Trek TOS logo (Photo credit: Wikipedia)

I grew up watching Star Trek: The Next Generation with my brothers every Saturday night before we had to wake up for church the next morning. I subsequently became the lone Deep Space Nine fanboy in our family (I pretended Voyager & Enterprise didn’t happen). Although I had seen many Star Trek: TOS episodes, I had never made a concerted effort to watch The Original Series all the way through. This is my attempt to do so, and I will try to blog out my thoughts about as many TOS episodes as I am able to.

The  unaired pilot episode for Star Trek: The Cage, is an exploration in the dynamics of gender roles. From the beginning, Lieutenant Number One, played by Majel Barrett (creator Gene Roddenberry’s wife), is described as being the second in command of the fleet, with the second most experience and credentials behind only Captain Christopher Pike. When Pike is captured by the telepathic, sinister Talosians, Number One is the person who leads a failed attempt to rescue him.  One other female character, yeoman J.M. Colt, stood in to represent an ideal youth during that era (I mean, the late 1960′s—although Star Trek takes place in the future).  Pike resists the Talosians attempts to mate him with Vina, a beautiful damsel in distress who promises Pike she can be “any woman he wants her to be.”

The Talosians dictate that the role of women is relegated to reproduction.  They are telepaths, and in science fiction, the trope of the telepath with an overgrown skull is an outgrowth of a particular vision of Western human agency, one of Eurocentric rationality, one that denies individual experience and subjectivity.  The Talosians allow Colt and Number One to dematerialize onto their planet, but only to give Pike more options. Colt is considered very young and filled with hormones, while the Talosians assure Pike that in spite of Number One’s high grade intelligence and lack of emotion, she still fantasizes about being with him. Number One figures out that Pike is to be “Adam” in this new Garden of Eden.  But who is to be the new Eve? That’s the question we are left with at the end.

I found it interesting that the Talosians punish Pike for having “wrong” thoughts about the second sex.  The Talosians were offended by the very notion that women could exist for more than just breeding.  It rings so familiar in both secular and religious circles, and the fact that a particular eroticized understanding of Eve and Adam’s story (where they are adults, not children) further demonstrates Roddenberry’s progressive vision of a future with the genders as equals.

The Cage (Star Trek: The Original Series)

The Cage (Star Trek: The Original Series) (Photo credit: Wikipedia)

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RodtRDH

Rod the Rogue Demon Hunter, Preacher of Hope | Black Scholar of Patristics | Writer for Nonviolent Politics. Destroyer of Trolls. It must be that angry puppy.

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@PBS ‘s #WonderWomen: White Feminist Superheroines And Invisible Women Of Color

gina torres wonder woman

“This post has been cross-posted from my Blerd Theologian Tumblr

Tonight, I watched PBS’s Independent Lens’ episode entitled, Wonder Women: The Untold Story of American Superheroines. To be honest, this documentary played out unfortunately like a piece of white feminist triumphalism, when it really did not have to. My favorite comic writer Gail Simone said at the conclusion of that Wonder Woman was a feminist symbol of hope and inclusion. The vision for the future promoted by this text, however, was one of racial exclusion and classist & ableist propaganda. Wonder Women was not a documentary geared towards ALL American women, but specific white American women with middle & upper class privilege.

Let’s go through the U.S. American history lesson we were given, shall we? Wonder Woman was the comic book version of Rosie the Riveter during World War II, and afterwards, her and Lois Lane were depicted as less ambitious. So basically, white women were told to take care of homes! Okay, but this WAS NOT THE EXPERIENCE OF ALL WOMEN! No, this documentary spoke to the white side of segregationist economics and white women’s experience, but when it comes to blacks, perhaps those women who were HAD NO CHOICE but to work (because choice is a luxury, based on class, don’t forget that), Wonder Women could not address this issue.

Moving on, let’s read about the Women superheroes who inspired the women’s rights movement in the 60s and 70s. Big surprise: All white, all without disability, and with class privilege. Yeah, a picture of Storm from Marvel’s X-Men was put up as a token. Yeah, they talked about Nubia as “Wonder Woman’s sistah counterpart” but that was false. Any google search will show you that Nubia was a villain, and has since the 70s, fallen off the face of the DC universe. What an inspiration!

Wonder Woman. Buffy the Vampire Slayer. Xena the Warrior Princess. All able-bodied. All white women written by white men. At the conclusion of Wonder Women,the documentary shameless did a highlight reel of famous American women, and showcased WOC such as Supreme Court Justice Sotomayor, Rosa Parks, and others. It’s funny that this played out sort of like Season 7 of white feminist legend Buffy, where the show all of a sudden becomes more culturally diverse, as if the first six seasons & it’s First World Western feminist vision didn’t happen!

In Buffy, a number of POC scholars have taken issue with portrayals of racial minorities in the BuffyVerse, and DC Comics (as much as I’m a New 52 fanboy), continues to have more problems than Marvel (but atleast DC doesnt have the Doctor Voodoo problem– you can look that up). Works of fantasy, myths are always social and political. Pop cultural exclusion leads to perpetual political exclusion, and that’s what we continue to see, esp when it comes to voting rights, access to public education, and the prison-industrial complex.

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RodtRDH

Rod the Rogue Demon Hunter, Preacher of Hope | Black Scholar of Patristics | Writer for Nonviolent Politics. Destroyer of Trolls. It must be that angry puppy.

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Blerd Confessions: I’m Just Not A Fan of Robin/Dick Grayson

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I have to be honest. Today, when Optimistic Chad tagged me on this picture above, I was just distraught. I realized, I just do not like Robin/Dick Grayson on any level: 1960s Batman, Batman the Animated Series, the awful Batman & Robin Burtonverse movies. No, him & Babs? No dawg, just go away to Blud Haven.

Of all the BatFamily, he’s my least favorite. #SorryNotSorry

RodtRDH

Rod the Rogue Demon Hunter, Preacher of Hope | Black Scholar of Patristics | Writer for Nonviolent Politics. Destroyer of Trolls. It must be that angry puppy.

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The Season Finales for #DCNation #GLTAS #YoungJusticeInvasion: #HeroesNeverDie

This is my tribute to us fans of Green Lantern: The Animated Series & Young Justice. I did a Storify version of the top Tweets on today’s season finales.


RodtRDH

Rod the Rogue Demon Hunter, Preacher of Hope | Black Scholar of Patristics | Writer for Nonviolent Politics. Destroyer of Trolls. It must be that angry puppy.

More Posts - Website - Twitter